Question 1

What is an XR stage?

Accepted Answer

An XR stage is a filming environment enclosed by LED walls (and often a ceiling and floor) where virtual backgrounds are displayed in real time and synced to the camera, letting productions capture final visuals in camera instead of compositing green screen in post.

Question 2

How much does a virtual production LED wall cost?

Accepted Answer

Indicative factory-direct pricing runs $450-$2,100 per square meter depending on pixel pitch - P2.6, the most common film pitch, sits at $600-$900/m2. A 24 m2 streaming studio and a 200 m2 film volume differ by roughly 20x in total budget.

Question 3

Which pixel pitch is best for XR filming?

Accepted Answer

Match pitch to camera distance: P1.5-P1.9 for 2-3 m, P2.0-P2.6 for 3-5 m, P2.6-P3.91 for 5 m and beyond. P2.6 is the industry default for film and broadcast volumes.

Question 4

Can an LED wall avoid moire on camera?

Accepted Answer

Yes, with black-face SMD LEDs, anti-glare surface treatment, correct shooting distance and camera focus placement. Moire appears when the camera sensor resolves the pixel grid; distance and focus depth control it as much as the panel itself.

Question 5

What is the difference between an XR stage and a virtual production LED volume?

Accepted Answer

They overlap heavily: LED volume describes the physical screen enclosure (wall, ceiling, floor), while XR stage emphasizes the extended-reality workflow where tracked cameras interact with virtual scenery. Most modern builds serve both.

Question 6

Does the wall support genlock and camera tracking?

Accepted Answer

Yes. Our processors accept tri-level/genlock sync and provide low-latency links compatible with Mo-Sys, stYpe and Ncam tracking systems, keeping wall refresh phase-locked to the camera sensor.

Question 7

Is it cheaper to rent or buy an XR stage?

Accepted Answer

Renting wins for single projects. Owning wins once you shoot regularly - typical rental rates in mature markets run $350+ per hour, so frequent users recover the hardware cost while gaining unlimited set changes.

Question 8

How long does it take to build an LED volume?

Accepted Answer

Production of the LED system typically takes 2-4 weeks depending on size and pitch, plus freight and installation. A 100 m2 broadcast studio is commonly shooting-ready within a month of order confirmation.

Question 9

Does it work with Unreal Engine and disguise?

Accepted Answer

Yes - the wall is a display endpoint for any render engine. We regularly ship systems for Unreal Engine, disguise and similar media-server workflows.

Question 10

Can I use the LED wall for live streaming instead of film?

Accepted Answer

Absolutely. Streaming studios are the fastest-growing use: a single P2.5 wall with content templates serves e-commerce streams, podcasts and talk formats, and can be upgraded to full XR with tracking later.

Question 11

What size LED volume do I need?

Accepted Answer

Start from your widest lens and tightest blocking: the wall should fill the camera's field of view plus parallax margin. Streaming studios start around 20 m2; broadcast studios 60-120 m2; film volumes 150 m2+.

Question 12

Do you ship, install and support internationally?

Accepted Answer

Yes - worldwide freight in flight cases, on-site or remotely-supervised installation, operator training and lifetime engineering support with spare parts shipped from stock.

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